Mysore/Mysore: On Tuesday, the world of folklore was unveiled during the ‘Janapara Utsava‘, staged at Maharani’s Arts College on JLB Road here, as hundreds of College students danced to folk songs and also performed some traditional art forms.

The event was organized under the aegis of the Kannada and Culture Department.

Initially, folk troupes and College students marched in procession from Maharani’s College and passed through Vinoba Road, Shivarampet, D. Devaraj Urs Road and JLB Road before returning to the College campus, where the mega show, featuring a host of cultural events took place.

Mahalinga and his team performed ‘Sugama Sangeetha’ while Dr. Malavalli Mahadevaswamy’s team performed ‘Male Mahadeshwara Kavya Gayana’, Bannur’s Dodda Rachappa team performed ‘Tamboori Pada’, Dr. Mysuru Gururaj and his team performed performed ‘Manteswami and Siddappaji Kavya Gayana,’ Nanjangud KN Ashwini and crew performed ‘Janapada Geethe’, Vishwanath and crew performed ‘Folk Dance Drama’, Kalkunda Mangalamma and crew performed ‘Janapada Sambhrama’ , Talakad Krishnamurthy and crew performed ‘Dollu Kunitha’ and Tejovathi and crew performed ‘Mahila Kamsale.’

Apart from that, there was a “Sobane Pada” concert presented by Talakad Puttamadamma, Madigahalli Chennajamma, Narasipura Chikkamanjamma, Narasipura Lakshmamma and Madigalli Chikkathayamma. Other folk arts performed included ‘Pooja Kunitha’, ‘Dollu Kunitha’, ‘Nagaari’, ‘Keelu Kudure’, ‘Pata Kunitha’, ‘Kamsale Nrutya’, ‘Ranga Kunitha’ and ‘Chitti Mela’.

Earlier, renowned folk singer Dr. Malavalli Mahadevaswamy, who recently received an honorary doctorate from Mysore University, inaugurated the one-day event by lighting the lamp. Speaking after the inauguration, VN Mallikarjunaswamy, co-director of the Kannada and culture department, which spearheaded the programme, said a country’s progress can also be measured by the richness of its arts, heritage and culture. culture.

Emphasizing that women have left their mark in all fields, he said the event provided an opportunity for female students to discover their hidden talents and skills. Stressing the importance of arts and culture, he said it is everyone’s responsibility to promote popular culture.

The college principal, Srinivas, presided. Deputy Director of Kannada and Culture, Dr. MD Sudarshan, Secretary of Maharani’s College Cultural Forum, Dr. R. Jayaramu, President of Student Cultural Forum, Priyanka, Secretary Jaiba, Treasurer, Dr. Savitha and others were present.

Kenya is home to various tribes, and Kikuyu is one of them. In particular, Kikuyu musicians motivate listeners with their music, for example, old Kikuyu folk songs. They mainly discuss daily events or deepen discussions on domestic and everyday issues.

Kikuyu folk songs have inspired countless souls, and through their moving melodies, many people have actually learned a thing or two. These songs were used to teach children how to behave, and sometimes also adults.

Kikuyu folk songs for download

These songs usually sound great and are a wonderful way to take you back to a time when music was only about a certain message. The videos or audio of the songs may be on YouTube, but they may not be of the highest quality. This is an old list of Kikuyu songs.

1. “Ciira wa Mama Ciru” by Charia Ungi

One of the traditional folk songs in Kikuyu is this song by Charia Ungi. This song is about a man who went to his fiancée’s house for some business after she ran away and he brought village elders to speak on her behalf. In the African community, if the bride ran away or if there was a problem at home, the husband would call the village elders together to find a solution.

2. “Wambui wa Maitu” by Joseph Kamaru

In this song, a father tells his daughter to stay chaste so that she can be more precious to her future husband and he (the father) will receive a quality dowry prize. He further tells the listeners how he made sure that the girl is protected from any possibility of losing her chastity.

3. “Nguina Ndina Tha” – Joseph Kamaru

The message of this song is “I sing when I’m sad”. The singer complains about how the Kikuyu clan has become distant or away from each other.

He complains that it makes him sad and that he has nothing left to live for. He refers to the Kikuyu community as a movement that resembles a bee moving from flower to flower in search of nectar, as the community does not settle in one place.

4. Mwomboko “Ndongomothi” by SM Kariuki

The singer suggests that everyone should have a desire. For him, straight breasts are a “delight”, that’s what he wants. Light-skinned daughters are loved by the father and “sold” for much more than dark-skinned daughters. He also sings for the rich and his instrument despises the poor.

5. “Nyumba ya Mwari Witu” by Joseph Kamaru

The song is about “my sister’s house”. The singer, Joseph Kamaru starts by talking about his sister and how she got married into a wealthy family and how well her house is built, especially the roof. It is one of the best kikuyu folk songs because you can easily dance to it.

6. “Githina” by SM Kariuki

The song warns people against the troubles that result from bad deeds. The singer advises not to expect anything good until bad things are done.

7. “Chunga Marima” by Joseph Kamaru

Chunga Marima is to warn people to be careful in case of danger and not to go to dangerous places. The singer warns people that things haven’t changed much since colonial times. The black people who came to power are not that different from the white colonizers and people shouldn’t be gullible.

8. “Teacher Mwarimu Witu”

It is not known who sang the song, but school children sing it. This song is about a teacher who told the students to go harvest corn without permission. Part of the lyrics says, “our teacher, you did wrong to tell the children to go to the garden to harvest the corn without permission.”

9. “Nyumba ya Mumbi” by Joseph Kamaru

If you are looking for traditional Kikuyu songs and dances, this is it. The song is so catchy that we couldn’t resist. It is a song to remind different Kenyan communities where they come from and where they are going. How Kenya persevered in the hands of the colony. There is no limit to the distance they can travel.

If you didn’t know of any Kikuyu folk songs, you do now. Most of these songs are catchy and easy to dance to. These folk songs draw heavily from the traditional values ​​of the African tradition.

Tuko.co.ke shared an article about the top 25 female singers under 25 to watch. When it comes to publishing their projects, technology has increased the benefits and made things more convenient for artists. Young female singers dominate their genres and amass huge fanbases, some of which are even bigger than those of the musicians they look up to.

Source: TUKO.co.ke

PORT TOWNSEND — The Trinity United Methodist Candlelight Concerts on Thursday will host Chris Gilbert, a singer who splits his time between Port Townsend and Gloucestershire, England.

The show will take place at 7 p.m. with one set and no intermission at the church at 609 Taylor St. in Port Townsend. Attendees should plan to arrive early, organizers said; doors will open at 6:30 p.m. Masks will be required for in-person attendees.

The concert will also be streamed live at https://trinityumcpt.org, where there is a link for online candlelight concerts and ways to donate. Additionally, the concert will be simulcast on KPTZ FM 91.9.

Admission is free, with a suggested donation of $10 per person. Half of the proceeds from this concert will be donated to NAMI (National Alliance on Mental Illness), https://namijeffcowa.org.

Gilbert’s repertoire contains an eclectic mix of traditional and contemporary folksongs from all over the British Isles, but for this gig he will focus on folksongs from England and Ireland.

He sings lilting ballads, dramatic songs, upbeat drinking songs, and roaring chants.

Gilbert will be joined by Hap Smith on bass. Smith has played in a variety of bands and was a founding member of Chris’ Irish band PT Happenstance.

Those who appreciate the songs of the Clancy Brothers and Tommy Makem, the Dubliners and Ewan MacColl will enjoy this concert, organizers said.

Audience participation in choirs is encouraged and chorus words will be provided.

Gilbert has performed at numerous venues in the Puget Sound area including the Wooden Boat Festival, Port Gamble Maritime Festival, Port Angeles Maritime Festival, and Northwest Folklife Festival.

He was the frontman of the Irish band Happenstance, part of the duo Gilbert and McHagar, and a member of the slum band Nelson’s Blood. (Happenstance and Nelson’s Blood have performed at previous Candlelight Concerts.)

Gilbert spent his professional career in healthcare software engineering in the UK and USA and has now returned to his passions as an artist, singer and storyteller.

He was born in the East End of London and often lets his Cockney accent shine through, organizers said.

He cut his teeth in the English tradition of Morris Dancing and learned to sing folk songs the hard way – in front of tough, tough British pub audiences.

For more information, visit www.cj-gilbert.com.

Round : The Rugala Ceremony marked the second day of the 46th Wangala Hundred Drums Festival held at the permanent site of the A’chik Heritage Village in Wangala A’dam, Chibragre. Leader of the Opposition, Meghalaya Legislative Assembly Dr. Mukul M Sangma graced the occasion as the main guest.

Expressing his gratitude to the Wangala Hundred Drums Festival Committee for being able to witness the festival at the current permanent site, Dr. Mukul M Sangma also thanked the committee members for choosing this wonderful site for the benefit of the locals. of the region. the ever-increasing Wangala Festival. He mentioned that this event plays an important role in preserving the rich culture and traditions of our ancestors as well as presenting our identity to others.

Cod liver oil and orange juice

I belong in Glasgow

‘I belang tae Glesga, dear old Glesga toon’

But what’s with Glesga, because it spins and spins!

I’m just an ordinary old worker, as anyone here can see,

But when I have a few drinks on a Setterday,

Glesga belangs tae me!!!”

Jeely Piece song

“O you can throw pieces of a twenty-story apartment,

Seven hundred starving weans will testify that,

If it’s butter, cheese or jelly, if the breid is plain or pan-fried,

The odds of it not reaching Earth are ninety-nine tae wan.

I wish I was in Glasgow

He is commemorated throughout the country on the anniversary of his death, after the death of Gazi Mustafa Kemal Atatürk 84 years ago at Dolmabahçe Palace on the morning of November 10 at 9:05 a.m. The favorite songs and folklore of Mustafa Kemal Atatürk are explored with curiosity by the citizens. Among Atatürk’s favorite artists are masters such as Müzeyyen Senar and Safiye Ayla. So, what songs did Atatürk like? What popular songs did Atatürk listen to? Atatürk’s favorite songs and folk songs! Atatürk’s favorite artists and songs

Atatürk’s favorite songs and folk songs!

“I don’t complain to anyone” – Müzeyyen Senar

“It happens” (Words and music:) – Müzeyyen Senar

“No Clouds in the Air” (Lyrics and Music:) – Müzeyyen Senar

“Dayler Dayler” (Words & Music – Safiye Ayla

“Cana Rival Handan Edersin” (Lyrics & Music:) – Müzeyyen Senar

“Alışık’s Eyebrows Are Black” (Lyrics and Music:) – Safiye Ayla

“The poplars of Izmir” – Müzeyyen Senar

“Wonderful Eyes” (Words & Music – Müzeyyen Senar

“The smoke of my cigarette” (Lyrics:) – Müzeyyen Senar

“I’m waiting for the soldier’s road” (Lyrics:) – Müzeyyen Senar

1 “Sleeping Nightingale Passionately” (Lyrics:) – Safiye Ayla

“I sent flour to the mill” (Words and music:) – Müzeyyen Senar

“Did you pass that dive” – ​​Müzeyyen Senar

“The Window Has Opened Bilal Boy” (Lyrics:) – Safiye Ayla

“I have entered the Hâb-gah-ı yâre” – Müzeyyen Senar

“Burnt Omer” – Safiye Ayla

“The fine rose of my idea” – Müzeyyen Senar

“One my purple flower” – Müzeyyen Senar

“Vardar Plain” – Müzeyyen Senar

“It’s evening, more scenes” – Müzeyyen Senar

Why did Mustafa Kemal Ataturk die?

Mustafa Kemal Atatürk began to experience anorexia and weakness in the early months of 1938. He felt itching in various parts of his body and suffered from frequent nosebleeds. This itching was thought to be caused by the ants at Çankaya Mansion, and the mansion was pulverized for this reason. Atatürk was taken to Yalova Termal for special healing treatment due to itching.

In the hotel where he was taken, Dr. Atatürk examined Atatürk on January 22, 1938. Nihat Reşat Belger suspected liver disease and diagnosed Atatürk with cirrhosis following certain examinations.

Atatürk, who was recommended to abstain from doctor Belger, continued his treatment at the spa hotel for some time, but despite all the objections of the doctors, he abandoned the treatment halfway on February 1, 1938 and traveled to Bursa. On March 6, 1938, five doctors consulted Atatürk at Çankaya Mansion and the diagnosis of cirrhosis was finalized. Great Leader Mustafa Kemal Ataturk passed away on the morning of November 10.

HAPPY CHHATH PUJA 2022: Chhath Puja, the four-day festival, is celebrated with religious fervor across the country. It is seen in northern India, especially in the states of Bihar, Uttar Pradesh and Jharkhand. The Nahay Khai ceremony kicks off the festivities, while Suryodaya Arga marks its conclusion. At Shashti Tithi in Shukla Paksha, six days after the auspicious festival of Diwali, Chhath Puja is observed. As they say, any festival is incomplete without good music. So here we are with some songs that can amp up your party spirit.

READ ALSO : Happy Chhath Puja 2022 Wishes, Images, Status, Quotes, Messages, Facebook & WhatsApp Greetings to Share

On the occasion of Chhath Puja, here are 5 folk songs you could add to your playlist.

Kabahun Naa Chhooti Chhath

https://www.youtube.com/watch?v=/MD7r4t4df-w

It is sung by Alka Yagnik. Kranti Prakash Jha and Kristine Zedek are featured in the song. The importance of practicing Chhath puja is highlighted in the song.

Uga Hai Suraj Dev

https://www.youtube.com/watch?v=/8MzoVsjL4QU

Anuradha Podwal lent her voice to this one. The lyrics were written by Vinay Bihari. It is also one of the most played songs during the festivities.

Pahile Pahil Chhathi Maiya

https://www.youtube.com/watch?v=/DG8F-csoRAQ

Another song for your Chhath Puja playlist awaits your attention. Sharda Sinha sang the number. The song really captured the essence of the holy holiday.

Uthau Sooraj Bhaile Bihaan

https://www.youtube.com/watch?v=/j9G3caThH98

We have a beautiful number of Sharda Sinha for you. The song focuses on the rituals performed during the Chhath Puja.

Kelwa Ke Paat By

https://www.youtube.com/watch?v=/AaDo9XynbuM

The song tells the story of a devotee observing the Chhath puja vrat and praying to the Sun God.

Read all Latest Lifestyle News here

Expect a raucous good time when fun Irish collective The Mary Wallopers bring their jolly band to the Portland Arms next week.

Brothers Charles and Andrew Hendy and friend Sean McKenna formed The Mary Wallopers as a three-piece ballad band touring Ireland far and wide. The now-expanded band’s debut gigs exuded raw energy and their five-track debut EP – 2019 A bite of the Mary Wallopers – perfectly captured their sound and philosophy.

Fast forward a few years and the Mary Wallopers now have a new album on the way – their self-titled debut album – due out digitally and on CD on October 28, days before their Cambridge release.

“We recorded some demos the other day, but other than that we’re just getting ready for the tour,” Andrew said, speaking to the Cambridge Independent from Dundalk, where the band is based. Charles intervenes: “We are preparing [for the tour] drinking many pints.

Cod Liver Oil + Orange Juice, released on September 29, is the second track taken from the album. The 11-track LP is the culmination of years of The Wallopers touring the four corners of Ireland, collecting traditional songs before dusting them off and reimagining them in their rehearsal space.

Cod Liver Oil + Orange Juicefor example, is a Scottish song written by Ron Clark and Carl MacDougal and made popular by Hamish Imlach in the 1960s. A fan favorite, this ode to drunken revelry and its associated romantic pursuits showcases the Wallopers’ talent for choosing a good tune and then own it.

The song is certainly very catchy. “Oh, thank you very much,” says Charles, who notes of the album, “We recorded the first album in 2017, then we never bothered to release it, then we re-recorded it, I think, in 2020, so we’ve been sitting on it for quite a while, during lockdown.

Charles and Andrew live together. “We are two brothers, we do everything together – and I mean everything!” Charles laughs, “and we were able to do recordings during lockdown, and we were doing live streams, so that was good.”

He adds that many of the songs on the album are familiar to fans, as the band has been playing them live for a few years. “They’re kind of like our greatest hits, because people always come to the shows and sing along to the songs.”

We certainly imagine The Mary Wallopers creating a party atmosphere when they perform on stage. “Yeah, they can go wild,” confirms Charles, who says the band will start recording their second album “very soon.”

“At the last concert, there were people spitting on each other. We had a gig where a man actually had his feet on the ceiling, as opposed to the floor…”

The Mary Wallopers toured the UK in February this year and also played Glastonbury “a few times”. “In 2019 we did 159 shows,” Charles recalled, “we were playing constantly, playing all the time, and this will be our most organized tour.”

“The Mary Wallopers summons the noisy ghosts of the Dubliners and Pogues to startling effect,” said The Guardian of the group. What other acts influenced Charles and Andrew and co? “Jinx Lennon, a songwriter and singer from Dundalk here,” Andrew replies, “the Pogues and the Dubliners are obviously huge influences…

“We also listen to different music; we grew up listening to a lot of 80s Jamaican dancehall, and also a lot of punk and hip hop – and country, and western. Hank Williams too…” On the popularity of country music in Ireland, Charles, who reveals he’s actually wearing a Garth Brooks t-shirt right now (despite not being a huge fan of the singer ), adds: “Since the beginning of time, farmers loved line dancing.

The Mary Wallopers will perform at the Portland Arms on Wednesday, November 2. Tickets cost £11. For more information, visit theportlandarms.co.uk. To learn more about The Mary Wallopers, visit marywallopers.com.

---

GB celebrates the man and his music and brings the nostalgia of lost rhythms. Although many Bengali groups have made folk songs their forte in recent times, no one can forget the contribution of Nirmalendu Chowdhury and how for the first time he made Bangla Folk popular across the world. In this final installment of the two-part series, we bring that nostalgia back.

NOTIrmalendu’s outlook on life changed dramatically after 1942. The fall of Burma and Singapore in 1942 brought Bengal closer to the war front. Anticipating a Japanese invasion of British India via the eastern border of Bengal, the British Army launched a two-pronged preventive scorched earth initiative (military strategy aimed at destroying food stocks and agricultural areas) in the east and the Bengal coast. Its objective was to deny the expected invaders access to food, transport and other resources. Rice exports from these countries have been interrupted. The authorities stockpiled food to feed the defending troops and they exported considerable quantities to British forces in the Middle East. They also confiscated boats, carts and elephants in Chittagong, where the invasion was expected. Millions of people have been impoverished as the crisis overwhelms large segments of the economy and catastrophically disrupts the social fabric. Human-made famine shook the very foundation of faith and Nirmalendu the rebel realized his purpose in life – music would be his weapon to counter fascism and repression and songs would be his voice of protest. He clung firmly to this belief and stuck to his guns for the rest of his life.

As the Japanese aggression intensified, apprehensions ran high that the Japanese were targeting Sylhet. Meanwhile, Nirmalendu met Khaled Chowdhury in Sylhet and the two hit it off instantly. Soon after, he was introduced to Hemango Biswas, his “Lalu-Da”, also from Sylhet. Biswas was used to address Nirmalendu as ‘Nabani’. Biswas was then a well-known lyricist, composer and singer. They were both political allies and worked for the Communist Party. Nirmalendu sang many compositions by Biswas at public gatherings and meetings. As a member of the Indian People’s Theater Association (IPTA), he participated extensively in music programs and propaganda dramas. He acted in plays like ‘Shaheeder Daak’ and also worked with fellow actor and well-known comedian Utpal Dutt in Aungar, Pherari Phauj and Titas Ekti Nodir Naam.

He recorded over a hundred songs. He was also a renowned composer. His songbook was released as “Epar Bangla Opar Banglar Gaan”. He was instrumental in introducing and popularizing the rich and glorious heritage of folk songs to urban audiences and the outside world. He established Lok Bharati, a folk music school in Kolkata. He was associated with Pragati Lekhak Sangha (Progressive Writers Association) and Bharatiya Gana Natya Sangha.

Debabrata Biswas, Nirmalendu Chowdhury, Ramesh Shil, Salil Chowdhury, Subhash Mukherjee, Tulsi Lahiri, Shambhu Mitra, Arun Mitra, Sukanta Bhattacharya, Nibaran Pandit were notable names at the forefront of progressive cultural activists in Bengal. They were all members of the Communist Party’s culture squad because the IPTA was not yet conceived at the time. Khaled Chowdhury was fascinated by Nirmalendu’s songs. He sometimes accompanied Hemango and Nirmalendu on stage, singing with them.

In 1944, the Communist Party had organized an anti-fascist rally in Shraddhanand Park. Hemango Biswas Biswas introduced to the general public Nirmalendu Chowdhury, the son of “Srihatta”. His breathtaking rendition of folk music stirred the souls of his audience. With his very first show in Calcutta, he captured the hearts of music lovers. He emigrated from Sylhet after independence and took a small rented one-room apartment at Mahendra Goswami Lane in North Kolkata. The wounds of the score left a deep and permanent gash in his soul. He engaged in the recording and preservation of many lesser known Sylhet folk songs. In 1953, Hemango asked him to attend the All-India Conference of IPTA. Ritwik Ghatak was one of the conference attendees and he directed his play, “Daleel”. Salil Chowdhury formed the Bombay Youth Choir, the very first lay choir in India. Nirmalendu along with other singers from IPTA wholeheartedly supported him. He met Shobha Sen and Utpal Dutt in Bombay and starred in ‘Angaar’, both as an actor and singer. The play was directed by Dutt.

In 1953, Anil Kumar Chanda, then Deputy Minister of External Affairs, invited Nirmalendu and his brother Nirmalendu Chowdhury to join an Indian cultural delegation to Eastern European countries as part of a preparatory program for the visit of Pandit Jawahar Lal Nehru in the Soviet Union and other countries. Dancer Sitara Devi, singer Lalita S Ubhayakar, artist Rabidra Sangeet Dwijen Mukherjee, percussionist Pandit Shanta Prasad were part of the delegation.

In 1954, Nirmalendu lent his voice for the playback of the song “Maajhi re chal naiya, raam karega paar” in the Hindi film Biraj Bahu, whose music was composed by Salil Chowdhury. In 1955, he performed in the great Bolshoi Theater in Moscow in the presence of the former Prime Minister of the Soviet Union, Nikita Khrushchev, and later won a gold medal in singing at the International Folk Song Competition in Warsaw. He has been part of several important cultural missions abroad. His performances in Warsaw, Sofia, Prague, Belgrade and Moscow were received with high praise, making Indian folk songs popular abroad. He visited many countries, including the Soviet Union, Yugoslavia, Poland, Hungary, Romania, Czechoslovakia, Bulgaria, Australia, New Zealand, China, United Kingdom, France , Germany, Holland, Finland, the United States, Canada and Japan.

In 1955, his performance at the Banga Sanskrit Sammelan (Bengal Cultural Conference), Kolkata was a huge success. His popularity skyrocketed with his foray into Bengali films. He sang in Rajen Tarafdar’s cult film, “Ganga”. Salil Chowdhury composed the music for the film. The folk song “Arre O Sundoira Naore Majhi” and “Ganga Gangar tarangey” (lyrics by Salil Chowdhury) were super-duper hits. A series of hits followed and Nirmalendu was a highly sought after artist and composers vied to work with him. He has also acted in a number of Bengali films including Ganga, Kanchanmala, Notun Phasal and Dakater Hatey Bulu.

Nirmalendu met Khaled Chowdhury in Sylhet and the two hit it off instantly. Soon after, he was introduced to Hemango Biswas, his “Lalu-Da”, also from Sylhet. Biswas was used to address Nirmalendu as ‘Nabani’. Biswas was then a well-known lyricist, composer and singer. They were both political allies and worked for the Communist Party. Nirmalendu sang many compositions by Biswas at public gatherings and meetings. As a member of the Indian People’s Theater Association (IPTA), he participated extensively in music programs and propaganda dramas.

He recorded over a hundred songs. He was also a renowned composer. His songbook was released as “Epar Bangla Opar Banglar Gaan”. He was instrumental in introducing and popularizing the rich and glorious heritage of folk songs to urban audiences and the outside world. He established Lok Bharati, a folk music school in Kolkata. He was associated with Pragati Lekhak Sangha (Progressive Writers Association) and Bharatiya Gana Natya Sangha. He also worked briefly as a reader in the music department of Rabindra Bharati University. He received the Padma Bhushan for his contribution to folk music.

Nirmalendu had devoted his soul to music and had lived and breathed music all his life. Her collection of folk songs scribbled in notebooks, her favorite “Dotara” (a musical instrument) are all carefully kept in her deceased son’s apartment in Salt Lake. He wanted to build a house in Santiniketan but his dream hinted at him. Nirmalendu Chowdhury died in his rented apartment at 126 Linton Street in Park Circus on 28 April 1981. His death marked the end of an era. Nirmalendu was born on July 27, 1922 and it is his centenary year but Bengalis seem to have forgotten about this gifted singer/songwriter and his immense contribution in establishing folk music as a distinct and independent genre and legacy that has been passed down to us as part of the mainstream. music.

The Raine Hamilton Trio will perform at the Quadra Community Center on Saturday, November 5 at 7:30 p.m.

Raine is part prairie singer, part storyteller; Each song has a story, delivered between songs with humor and grace. Raine brings the deep love of the violin into the singer-songwriter genre, writing for violin and voice, as well as guitar and voice. Joined by cello and double bass, expect string arrangements that push and pull, moving as they console.

A classical violinist and trained musicologist, Raine and his string trio offer string quartet-like arrangements of Raine’s original songs. They call it chamber folk, a hybrid of the classical tradition of chamber music for string quartet, with the singer-songwriter folk that comes so naturally to Raine.

Raine’s latest work, the full album Brave Land (2021-22), is a concept album about mountains and the courage, wisdom and otherworldly connection they represent. Here, as in Raine’s 2018 album Night Sky, the songs are set to complex, seasoned arrangements for guitar, violin, cello and double bass. Once again Raine worked with string trio collaborators Quintin Bart on double bass, Natanielle Felicitas on cello and Lloyd Peterson as producer/sound engineer.

Raine believes that music is for everyone and we all have something to share. Raine is the recipient of the 2018 Canadian Folk Music Award for Emerging Artist of the Year! Raine has toured Canada extensively, driving, flying and floating from coast to coast. Highlights include: Performing songs with the Winnipeg Symphony Orchestra (five times), performing with the Manitoba Chamber Orchestra, playing a show in a cave (10 stories underground!), playing festivals across Canada (Vancouver Folk Festival, Vancouver Island Music Fest, Atlin Festival, Home County, Filberg Fest, Lilac Fest, Harvest Moon, Trout Forest), playing for the Passage on Via Rail and meeting so many amazing humans along the way road.

Advance tickets for the Quadra Concerts production are $20 and will be available at Inspirations in Quathiaski Cove, Copper Coast in Heriot Bay and online through the Tidemark Theatre. Tickets will be sold at the door for $25. Coffee, tea and delicious treats will be available in the concession. Masks are not mandatory but feel free to wear one if you are more comfortable. For more information on their full concert series, please visit quadraconcerts.ca.

Like us on Facebook and follow us on Twitter

Live musicQuadra Island